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contact: studio[@]mugeyilmaz[.]comº
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Ongoing >>º
► Four Sisters Project, Open day 24th June!º
► On Protection (Apotropaic Devices), Bureau Postjesweg, Amsterdam Finissage with performance in collaboration with Sarah van Sonsbeeck 30th June
Photos by GJ van Rooij
Exhibition Texts: Interview met kunsthistoricus Laura Kneebone Interview with zooarchaeologist Maaike Groot (English) Interview met zoöarcheoloog Maaike Groot (Nederlands)
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Happening Soon>>►Outdoor Installation for Art Rotterdam, in collaboration with NEST
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►The Adventures of Umay Ixa Kayakizi, Other Futures Festival
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Prelude>>
A New Nest of Protectors
Kunst op testlocatie Sloterdijk Station, curated by Iris Dik
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Between the Self & the Other, Tegenboschvanvreden, Amsterdamº
A Fair Share of Utopia
Opening 4th September until 22 November, 2020, NEST, Den Haag
A Garden Of Coincidences photos by Lotte van Uittert
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Tapetum Lucidum 2017 - 2020
Collective exhibition Unlocked / Reconnected with A Tale of A Tub
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Apotropaic Device III, CNC-cut and hand carved birch, 2020
Apotropaic Device III, CNC-cut and hand carved birch, 2020
Apotropaic Device III, CNC-cut and hand carved birch, 2020
Plural Fertilities
Group show curated by Zippora Elders at Kunstfort Vijfhuizen - on view until 6th September 2020
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The Seventh Continent
16th Istanbul Biennial curated by Nicolas Bourriaud
Eleven Suns, CNC-cut and hand carved birch wood, various stones, shells, water, photos by Sahir Ugur Eren
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>>Museumnacht at De APPEL curated by Faysal Mroueh
Text at Tubelight by Anna Rosja Haveman & Vanessa van't Hoogt ,
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The Triennial of Beetsterzwaag
The Concrete : The Mountain
7 - 8 September, 2018
An outdoor installation and performance around Witte Meer first developed in 2017 during a residency
at Kunsthuis SYB . The audience is guided through the forest where the works
can only be viewed by use of torches
Curated by Julia Geerlings and Niekolaas Lekkerkerk
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And They Were Out
Outdoor installation with performance, sculptures, and sound by Rutger Muller
at Nieuw & Meer, 14 July, 2018
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Baker Tilly Prize, 2018
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Performance during Antwerp Art Weekend
Invited by Art Viewer, Special Feature
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Meeting the Universe Halfway at KIT, Kunst im Tunnel, Dusseldorfº
"The Concrete:The Mountain" Kunsthuis SYB, Friesland, 2017
Text by Anne Marijn VoorHorst
Night Search, from "The Concrete:The Mountain" 2017
Oscillations (Liquid Mountain), Het Valkhof Museum, Nijmegen, 2016
Oscillations (Liquid Mountain), Het Valkhof Museum, Nijmegen, 2016
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"The Water, the Soil" Public performance part of PERFORMATIK 17, Brussels, 2017 Photo by Paul McGee
"The Water, the Soil" Public performance part of PERFORMATIK 17, Brussels, 2017
"The Water, the Soil" Public performance part of PERFORMATIK 17, Brussels, 2017
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The Water, The Soil, The Jungle, 11th Shanghai Biennial, 2016
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The Water, public performance in collaboration with WorkSpaceBrussels and S.A.L.E Docks,
as part of Dark Matter Games, Venice, 2017
The Water, public performance in Venice
M KHA - Museum of Modern Art, Antwerp, 2017
Future Moist, installation view at MoMart, Amsterdam
Future Moist, installation view at MoMart, Amsterdam
The Water, The Soil, The Jungle, Park Tour&Taxis, WorkSpaceBrussels, 2016 curated by Marnix Rummens
A Brief History of Time, Rijksakademie Open, 2014
A New Elan Vital, Rijksakademie, 2014, with EPS Foam, Resin, Honey, Water
Vibrational Objects, Rijksakademie, 2014, hand carved Zebrano Wood, American Oak, Cherry Wood, Pine Wood, Cocobolo, MDF,
PlyWood, Oregon Pine, Cast Aluminum, Resin
Circle of Necessities (Halay)
All possible water bottles from Amsterdam, Netherlands, 2013 (Ongoing Collection)
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12th Shanghai Biennale, 2016
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Rijksakademie 2013 - 2014
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WorkSpace Brussels
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MoMart
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Visual artist based in Amsterdam.
In her work, Müge Yilmaz examines the paradoxes inherent to ideas of protection with a strong sense of community,
survival and belief (faith). Through performances, photographs and installations she creates atmospheres inspired by
feminist science-fiction. Following the concept of three ecologies for observing the mental (subjective), societal and
environmental developments in a parallel method, she uses image and performance as tools for envisioning
potential futures. By keeping protection as a common denominator, her research creates speculations on preservation
and scarcity. She constantly looks for trigger points in shape of visual manifestations that provoke
subconscious reflexes and reactions. (2020)
Thank you.
