...

PRELUDE

@mugeyilma@feministscifi@four.siblings.collective

represented by Working Title Gallery



2026

º
Uit Het Niets, Kunstlinie, 13 March 2026

Apocalyps, Vrees En Hoop, 28 February - 06 September 2026

º

A BRIEF HISTORY OF NATURALISATION, 2025















I AM THE MOUNTAIN







º

ANATOLIAN GODDESSES, solo at Working Title Gallery, 2025









s









>



º

º

HARVEST GODDESS 2025





>



Permanent Sculpture

º

FUTURE GODDESSES

Yeryuzu Halleri, curated by Burcu Cimen and Didem Yazici, Yapi Kredi Kultur, Istanbul, until 3 March, 2025




Yeryuzu Halleri documentation by Koray Senturk



With Love from Nieuw West, Duo Exhibition with Rosa Smits invited by Day Collective <3



















Feldversuche Symposium, Future Goddesses, 15-31 August 2024

























Feminist Science Fiction Library, installation at Unfair, in collaboration with Anna Hoetjes & Buro Stedelijk

Textile work by Anna Hoetjes


Echoes of Our Stories, at Quetzal Art Center, photos by Lais Pereira

On view from September 16th 2023 until September 2024 at Quetzal Art Center, photos by Lais Pereira



Echoes of Our Stories, A Garden of Coincidences at Quetzal Art Center, photos by Lais Pereira






Echoes of Our Stories, GypsII, Gyps III & Ophanim & MoonWijzer at Quetzal Art Center, photos by Lais Pereira



Echoes of Our Stories, MoonWijzer at Quetzal Art Center, photos by Lais Pereira



Echoes of Our Stories, MoonWijzer (detail) at Quetzal Art Center, photos by Lais Pereira


FOUR SIBLINGS PROJECT


Queer Choir invited to 4Siblings, until end of November 2023




Image of collective ecological installation from 2021 on Google Maps link

We are making a new edition of the public garden under a new name: Four Siblings!




THE MILK OF DREAMS, 59th VENICE BIENNALE, 2022

The Milk of Dreams, 59th Venice Biennale


The Adventures of Umay Ixa Kayakizi, 2022, documentation courtesy of 59th Venice Biennale



The Adventures of Umay Ixa Kayakizi, 2022, documentation courtesy of 59th Venice Biennale




The Adventures of Umay Ixa Kayakizi, 2022, documentation courtesy of 59th Venice Biennale




The Adventures of Umay Ixa Kayakizi, 2022, documentation courtesy of 59th Venice Biennale




The Adventures of Umay Ixa Kayakizi, 2022, documentation courtesy of 59th Venice Biennale








MUSEUM ARNHEM, Tenminste Houdbaar Tot

Curated by Manon Braat, on view until 30th January 2023





Core tutor at DAI in collaboration with CASCO A.A 2021/22


º

PASSATO

º

The Adventures of Umay Ixa Kayakizi, commissioned by Other Futures Festival, 2021 until 12 November


Photo by Pieter Kers

º



º




Tapetum Lucidum 2017 - 2020
Collective exhibition Unlocked / Reconnected with A Tale of A Tub

º

The Seventh Continent
16th Istanbul Biennial curated by Nicolas Bourriaud





Eleven Suns, CNC-cut and hand carved birch wood, various stones, shells, water, photos by Sahir Ugur Eren






Text at Tubelight by Anna Rosja Haveman & Vanessa van't Hoogt ,

º



The Triennial of Beetsterzwaag
The Concrete : The Mountain

7 - 8 September, 2018

Baker Tilly Prize, 2018

º



Performance during Antwerp Art Weekend
Invited by Art Viewer, Special Feature

º






"The Concrete:The Mountain" Kunsthuis SYB, Friesland, 2017

º




"The Water, the Soil" Public performance part of PERFORMATIK 17, Brussels, 2017 Photo by Paul McGee


"The Water, the Soil" Public performance part of PERFORMATIK 17, Brussels, 2017 Photo by Paul McGee



"The Water, the Soil" Public performance part of PERFORMATIK 17, Brussels, 2017



"The Water, the Soil" Public performance part of PERFORMATIK 17, Brussels, 2017

º





The Water, The Soil, The Jungle, 11th Shanghai Biennial, 2016

º

11th Shanghai Biennale, 2016

Rijksakademie 2013 - 2014


16th Istanbul Biennial

In her work, Müge Yilmaz examines the paradoxes around to concept of protection with focus on community,
survival and belief (faith). Through performances, photographs and installations she creates immersive atmospheres inspired by
feminist science-fiction. Following the concept of three ecologies for observing the mental (subjective), societal and
environmental developments in a parallel method, she uses image and performance as tools for envisioning
potential futures. By keeping protection as a common denominator, her research creates speculations on preservation
and scarcity. She constantly looks for trigger points in shape of visual manifestations that provoke
subconscious reactions and reflexes. (2012-2024)






Thank you for coming so far. You can reach out to me at

♲ director at femscifi dot org